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  • Metaphor 127 Metonymy 131 Irony 134 3. INTERACTION OF LOGICAL AND EMOTIVE MEANINGS 139Interjections and Exclamatory Words 140

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    И. Р. ГАЛЬПЕРИН

    СТИЛИСТИКА

    АНГЛИЙСКОГО ЯЗЫКА







    Москва «Высшая школа» 1981

    CONTENTS


    PART I INTRODUCTION 5

    I. GENERAL NOTES ON STYLE AND Stylistics 5

    2. EXPRESSIVE MEANS (EM) AND STYLISTIC DEVICES (SD) 20

    3. GENERAL NOTES ON FUNCTIONAL STYLES OF LANGUAGE 27

    4. VARIETIES OF LANGUAGE 30

    5. A BRIEF OUTLINE OF THE DEVELOPMENT OF THE ENGLISH LITERARY (STANDARD) LANGUAGE 35

    6. MEANING FROM A STYLISTIC POINT OF VIEW 51

    PART II STYLISTIC CLASSIFICATION OF THE ENGLISH VOCABULARY 62

    I. GENERAL CONSIDERATIONS 62

    2. NEUTRAL, COMMON LITERARY AND COMMON COLLOQUIAL VOCABULARY 64

    3. SPECIAL LITERARY VOCABULARY 67

    a) Terms 67

    b) Poetic and Highly Literary Words 70

    c) Archaic, Obsolescent and Obsolete Words 74

    d) Barbarisms and Foreignisms 78

    e) Literary Coinages (Including Nonce-Words) 83

    4. SPECIAL COLLOQUIAL VOCABULARY 95

    a) Slang 95

    b) Jargonisms 100

    c) Professionalisms 103

    d) Dialectal words 106

    e) Vulgar words or vulgarisms 108

    f) Colloquial coinages (words and meanings) 109

    PART Ш PHONETIC EXPRESSIVE MEANS AND STYLISTIC DEVICES 112

    GENERAL NOTES 112

    Onomatopoeia 113

    Alliteration 115

    Rhyme 116

    Rhythm 118

    PART IV LEXICAL EXPRESSIVE MEANS AND STYLISTIC DEVICES 123

    A. INTENTIONAL MIXING OF THE STYLISTIC ASPECT OF WORDS 123

    B. INTERACTION OF DIFFERENT TYPES OF LEXICAL MEANING 126

    1. INTERACTION OF PRIMARY DICTIONARY AND CONTEXTUALLY IMPOSED MEANINGS 126

    Metaphor 127

    Metonymy 131

    Irony 134

    3. INTERACTION OF LOGICAL AND EMOTIVE MEANINGS 139

    Interjections and Exclamatory Words 140

    The Epithet 143

    Oxymoron 149

    4. INTERACTION OF LOGICAL AND NOMINAL MEANINGS 150

    Antonomasia 150

    C. INTENSIFICATION OF A CERTAIN FEATURE OF A THING OR PHENOMENON 153

    Simile 153

    Periphrasis 155

    Euphemism 159

    Hyperbole 161

    D. PECULIAR USE OF SET EXPRESSIONS 162

    The Cliche 163

    Proverbs and Sayings 166

    Epigrams 169

    Allusions 172

    Decomposition of Set Phrases 174

    PART V SYNTACTICAL EXPRESSIVE MEANS AND STYLISTIC DEVICES 175

    A. GENERAL CONSIDERATIONS 175

    B. PROBLEMS CONCERNING THE COMPOSITION OF SPANS OF UTTERANCE LARGER THAN THE SENTENCE 177

    Supra-Phrasal Units 178

    The Paragraph 182

    C. COMPOSITIONAL PATTERNS OF SYNTACTICAL ARRANGEMENT 186

    Stylistic Inversion 187

    Detached Construction 189

    Parallel Construction 191

    Chiasmus (Reversed Parallel Construction) 192

    Repetition 194

    Enumeration 198

    Suspense 200

    Climax (Gradation) 202

    Antithesis 204

    D. PARTICULAR WAYS OF COMBINING PARTS OF THE UTTERANCE (LINKAGE) 206

    Asyndeton 207

    Polysyndeton 208

    The Gap- Sentence Link 209

    E. PARTICULAR USE OF COLLOQUIAL CONSTRUCTIONS 211

    Ellipsis 213

    Break-in-the-Narrative (Appsiopesis) 214

    Question-in-the-Narrative 216

    Represented Speech 217

    a) Uttered Represented Speech 219

    b) Unuttered or Inner Represented Speech 221

    F. STYLISTIC USE OF STRUCTURAL MEANING 224

    Rhetorical Questions 224

    Litotes 226

    PART VI FUNCTIONAL STYLES OF THE ENGLISH LANGUAGE 228

    INTRODUCTORY REMARKS 228

    A. THE BELLES-LETTRES STYLE 229

    1. LANGUAGE OF POETRY 231

    a) Compositional Patterns of Rhythmical Arrangement 232

    Metre and Line 232

    The Stanza 236

    Free Verse and Accented Verse 239

    b) Lexical and Syntactical Features of Verse 242

    2. EMOTIVE PROSE 248

    3. LANGUAGE OF THE DRAMA 258

    B. PUBLICISTS STYLE 264

    1. ORATORY AND SPEECHES 265

    2. THE ESSAY 269

    3. JOURNALISTIC ARTICLES 271

    C. NEWSPAPER STYLE 272

    1. BRIEF NEWS ITEMS 274

    2. ADVERTISEMENTS AND ANNOUNCEMENTS 277

    3. THE HEADLINE 279

    4. THE EDITORIAL 281

    D. SCIENTIFIC PROSE STYLE 283

    E. THE STYLE OF OFFICIAL DOCUMENTS 288

    FINAL REMARKS 293

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