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  • A. Trochee B. Iambus C. Dactyl D. Amphibrach E. Anapest

  • A. Alliteration

  • Alliteration Set expressions part and parcel, safe and sound, forgive and forget, bed and breakfastBook Titles

  • C. Sound Symbolism

  • A. Trochee The foot consists of two syllables, the first one is stressed.  ( duty, evening, honey, pretty )B. Iambus

  • D. Amphibrach

  • Amphibrach I sprang to the stirrup and Joris and he,I galloped, Dick galloped, we galloped all three. ( Browning )Dactyl

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    POETIC EXPRESSIVE MEANS AND STYLISTIC DEVICES


    1. EUPHONY

    A. Allliteration

    B. Assonance

    C. Sound Symbolism

    D. Rhythm

    E. Rhyme

    2. METRE

    A. Trochee

    B. Iambus

    C. Dactyl

    D. Amphibrach

    E. Anapest

    Poetic expressive means and stylistic devices are aimed at producing a pleasant acoustic effect and arousing certain emotions of the reader or listener. They are based on the acoustic effect produced by the words and sentences.

    1. EUPHONY


    Euphony is a combination of sounds producing a pleasant acoustic effect. It is achieved by alliteration, assonance, rhythm, rhyme and sound symbolism. Euphony is pleasing and harmonious, while cacophony is harsh and discordant.

    Alliteration'>A. Alliteration

    Alliteration is the recurrence of an initial consonant in two or more words, which either follow one another, or appear close enough to be noticeable.

    This device is very widely used in English – more often than in other languages – due to the fact that words in Old English were stressed on the first syllable.

    We can see it in poetry and prose, very often in titles of books, in slogans and in set phrases. Consonance is the repetition of the same consonant sound anywhere in a string of words, not just the initial sound as is in alliteration.

    Alliteration

    Set expressions

    part and parcel, safe and sound, forgive and forget, bed and breakfast

    Book Titles

    Posthumous Papers of the Pickwick Club (Ch. Dickens), The Last Leaf (O. Henry)

    B. Assonance

    Assonance is repetition of vowel sounds to create internal rhyming within phrases or sentences, and together with alliteration and consonance serves as one of the building blocks of verse.

    For example, in the phrase “Do you like blue?”, the [‘oo’ (ou/ue)] sound is repeated within the sentence and is assonant.

    Assonance is more a feature of verse than prose.

    Assonance

    Pleased to meet you. Please, be seated.

    I feel the need, the need for speed.

    Hear the mellow wedding bells. (Edgar Allan Poe)

    C. Sound Symbolism

    Sound Symbolism is the use of words, the sounds of which imitate noises and sound produced in nature by machines, animals, natural phenomena.

    Sound Symbolism

    bang, hiss, clap, drip

    Qualcomm ("quality" and "communications") and Verizon ("horizon," as in forward-looking) to Intel ("intelligent" and "electronics")

    D. Rhythm

    Rhythm is the variation of the length and accentuation of a series of sounds or other events. It is the pattern of interchange of strong (stressed) and weak (unstressed) syllables.

    If there is no regularity of segments, the text is classified as prose, if segments recur periodically, the text is classified as poetry. Thus, the most distinctive feature of poetry is not the recurrence of rhyming words, but the rhythm – rhyme is typical, but not indispensable.

    E. Rhyme

    Rhyme is a repetition of similar sounds in two or more different words and is most often used in poetry and songs.

    The word “rhyme” may also refer to a short poem, such as a rhyming couplet or other brief rhyming poem such as nursery rhymes.

    2. METRE


    In poetry, the metre is the basic rhythmic structure of a verse. Many traditional verse forms prescribe a specific verse meter, or a certain set of meters alternating in a particular order.

    Prosody is a more general linguistic term, that includes poetical metre but also the rhythmic aspects of prose, whether formal or informal.

    The scansion of a poem is the analysis of its metrical structure.

    Metre gives systematization of English verse and rhythm determined by the relationship between the stressed and unstressed syllables.

    The unit of measure of rhythm is called the ‘foot’. It is the smallest recurring segment of the line, consisting of one stressed syllable and one or two unstressed ones.

    The structure of the foot determines the metre, i.e. the type of poetic rhythm of the line. There are five basic feet in English poetry:

    A. Trochee

    The foot consists of two syllables, the first one is stressed.

     (duty, evening, honey, pretty)

    B. Iambus

    The foot consists of two syllables, the second one is stressed.

     (mistake, enjoy, again, behind)

    C. Dactyl

    The foot consists of three syllables, the first one is stressed, the subsequent two are unstressed.

     (wonderful, beautiful, certainly, dignity)

    Amphibrach'>D. Amphibrach

    The foot consists of three syllables, the first one is unstressed, the second one is stressed, the third one is unstressed.

     (returning, continue, pretending, umbrella)

    E. Anapest

    The foot consists of three syllables, the first two are unstressed, the third one is stressed.

     (understand, disagree, interfere)

    Trochee

    Men of England, wherefore plough

    For the lords who lay ye low?

    Wherefore weave with toil and care

    The rich robes your tyrants wear?

    (Shelley)

    Amphibrach

    I sprang to the stirrup and Joris and he,

    I galloped, Dick galloped, we galloped all three.

    (Browning)

    Dactyl

    Take her up tenderly,

    Lift her with care,

    Fashion’d so slenderly

    Young and so fair.

    (Hood)
    Iambus

    There went three kings into the east,

    Three kings both great and high,

    And they had sworn a solemn oath:

    John Barleycorn should die.

    (Burns)

    Anapest

    I am monarch of all I survey

    From the central all round to the sea.

    (Pope)




    QUESTIONS TO LECTURE #5


    1. What are poetic stylistic devices based on?

    2. What is euphony?

    3. What is alliteration and consonance? Give your examples.

    4. What is assonance? Give your examples.

    5. What is sound symbolism? Give your examples.

    6. What is the rhythm?

    7. What is rhyme?

    8. What is metre?

    9. What is a more general linguistic term for “metre”?

    10. How do you call the analysis of the metrical structure of a poem?

    11. How do you call the smallest recurring segment of the line?

    12. How many types of feet are there in the English poetry? Name them.

    13. What is the type of feet in the following line?

    To strive, to seek, to find, and not to yield.
    (Alfred Tennyson, "Ulysses")


    11. Do the task in Supplement 6.

    12. Choose two poems from Supplement 6 and learn them by heart.

    Lecture #6
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